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Working Through Conditions/Conditioning

In ‘Working Through Conditions/Conditioning’, second-year students of the Social Design at DAE's Master programme explored the legacy of the Dutch de STIJL art movement through a series of installations, workshops, gatherings and lectures. The Master department collaborated with the Van Abbemuseum at Eindhoven Airport.

This multifaceted intervention, culminating in three installations in front of Eindhoven Airport during Dutch Design Week 2021 until 1 April 2022, examined how the art movement has shaped ideas of citizenship through major institutions and through architecture.

Organised into three collectives – Hokjesdenkers, Percolate Collective, and re_move – students engaged with reconstructions of artworks by de Stijl founder Theo van Doesburg from the museum's collection, as well as elements of the airport's design.

Through this project, students sought answers to two core questions: de STIJL is a Dutch aesthetic 'lingua franca' that helped shape the formation of Dutch design, but to what extent does it also reproduce and feed into the parameters of Dutch citizenship and identity? Often museums, airports and design academies borrow each other's design typologies, but in what ways do they work towards the same narrative around heritage?

"This joint project between Van Abbemuseum, Eindhoven Airport, and DAE highlights the importance of collective thinking for the future of cities and their public infrastructures," said Marina Otero Verzier, head of Social Design at DAE. "Working collaboratively across disciplines, institutions, and generations to reflect on how we live and the values we live by, and propose alternatives is at the core of Social Design."

The project is part of an ongoing partnership between the Van Abbemuseum and Eindhoven Airport called Feel The Vibe, which began in 2020.

View on the vitrine of student collective Hokjesdenkers. Photo: Nicola Marnati
View on the vitrine of student collective Percolate Collective. Photo: Nicola Marnati
View on the vitrine of student collective Hokjesdenkers. Photo: Nicola Marnati
View on the vitrine of student collective Hokjesdenkers. Photo: Nicola Marnati
Re_move is a collective that works with the queue barrier as a preliminary object. We challenge the rigid, straight lines used by the Dutch movement De Stijl and question the behaviour of collective citizenship in security-focused environments. Collective members are Amalia Shemtov, Holly Krueger, Nikola Scheibe, Josephine de Fijter, Manuel Steitz, Léa Cadieux Mathieu, and Valentin Patis.How are notions of control performed through the object of the queue barrier at the airport and the museum? Used to direct and control the flux of people visiting the airport and the museum, the queue barrier is a device that reinforces internalized notions of security on asocial and national level. The installation ‘re_move’ questions and challenges the queue barrier by reframing them as cultural objects. Alongside the objects, a filmed performance unravels the strict dictation of movement and invites us to imagine how we might move our bodies less predictably public in space. Photo: Nicola Marnati
Hokjesdenkers is an open collective invested in co-authorship, using plurality instead of universality. Collective members are Marte van Haaster, Julia Pätzold, Juliette Vandermosten, Chen-Yu Wang, Thyrza Coenraad, Ollee Means, John Carrillo, Damián Cehlárik, and Lukas Völp.The aesthetic rigidity of De Stijl, its primary colours and straight lines, reflect a societal construct in Dutch culture called ‘hokjesdenken’. This installation raises questions around the influence ‘hokjesdenken’ (pigeonholing) continues to have on Dutch society.The vitrine stages a reproduction of a set design (1926) by Piet Mondriaan. This reproduction highlights the backstage that, in the many reproductions made over the years, remained unseen. The work emphasises the hidden system, which enables the existence of the stage. The original work was intended to stage L’Ephemere est eternel, the anti-theatre (‘anti-hokjesdenken’) play by Michel Seuphor, in which the actors were hidden inside the stage, their voices audible from within the structure. The installation invites you to reflect on what holds ‘hokjesdenken’ in place. Photo: Nicola Marnati
Percolate Collective is made up of individuals who, acting primarily as citizens, question the relationship between the state and its citizens. Collective members are Agnieszka Cieszanowska, Beatrice Maione, Gaia D’Arrigo, Jan Christian Schulz, Kaijie Wei, Lison Gueguen, Margarida Coelho, Michelle Lai Jingmin, Shinhua Yang, and Yesum Yoon.Through the careful deconstruction of various national flags, the installation distils common graphic elements to form a multiplicity of patterns. The process allows the gradual formation of a mosaic that invites passers-by to reflect upon notions of citizenship and forms of representation. The installation encourages visitors to dwell upon and respond to the meaning and symbolism of the flag as an object. In what ways are your individual or personal beliefs represented in the flag? Do you recognize your given, taken or chosen citizenship? Photo: Nicola Marnati

Degree

Master, Social Design

Credits

Collaborating partners:
Van Abbemuseum
Eindhoven
Eindhoven Airport

DAE:
Tessa Blokland, relation manager educational projects

MA Social Design
Marina Otero, department head
Celeste Goncalves, coordinator
Amal Alhaag, tutor
Anastasia Kubrak, tutor
Ruben Pater, guest tutor

Participanting tudents:
Agnieszka Cieszanowska
Amalia Shemtov
Beatrice Maione
Chen-Yu Wang
Damián Cehlárik
Gaia D’Arrigo
Holly Krueger
Jan Christian Schulz
John Carrillo
Josephine de Fijter
Julia Pätzold
Juliette Vandermosten
Kaijie Wei
Léa Cadieux Mathieu
Lison Gueguen
Lukas Völp
Manuel Steitz
Margarida Coelho
Marte van Haaster
Michelle Lai Jingmin
Nikola Scheibe
Ollee Means
Shinhua Yang
Thyrza Coenraad
Valentin Patis
Yesum Yoon