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Lecture
Wednesday 1 March 2023

Dr. Marina Otero Verzier & Patricia Reed

Data Mourning
The exponential growth in digital data production and the associated demand for data storage significantly impacts the environment. Fuelled by outdated ideas of progress and endless growth, the digital industry depends on extractivist practices that result in vast energy consumption, land occupation, and CO2 emissions. The creation of alternative, digital worlds is not only outpacing the scalability of current storage solutions but also putting our physical world at risk.

The concept of “Digital Mourning” acknowledges the interconnectedness between the digital and physical worlds and considers the entire lifecycle of digital data, from its production to its decay and eventual disposal. It approaches data storage from a finite resource perspective, accepting the inevitability of data decay as a reminder of the fragility of the digital realm. By embracing the ephemeral nature of digital data due to technological obsolescence, corruption, and degradation of storage media over time, we could prioritise the preservation of what is relevant in the digital realm as a heritage for future generations. In this context, letting go of digital data that has become redundant, outdated, or no longer needed becomes paramount. Just as we mourn the loss of physical objects, places, and people, data mourning recognises digital data’s emotional and cultural significance and the need to let go of it meaningfully.

About Marina

Dr. Marina Otero Verzier is Head of the MA Social Design Masters at DAE. In 2022 she received Harvard’s Wheelwright Prize for a project on the future of data storage. From 2015 to 2022, she was the Director of Research at HNI, where she led initiatives focused on labour, extraction, and mental health from a post-anthropocentric perspective, including “Automated Landscapes,” and “BURN-OUT.” Otero has curated exhibitions such as the Dutch Pavilion at the Venice Architecture Biennale in 2018 and the 2016 Oslo Architecture Triennale and co- edited Lithium: States of Exhaustion (2021), More-than-Human (2020), Architecture of Appropriation (2019), Work, Body, Leisure (2018), among others.

About Patricia

Patricia Reed is an artist, theorist and designer based in Berlin. Recent writings have been published in Ceremony: Burial of an Undead World, The Unmanned, Sound - Space - Sense, and e-flux Journal. She co-wrote the Xenofeminist Manifesto as Laboria Cuboniks, is a research affiliate of Antikythera, and has a compilation volume forthcoming from Holobionte Ediciones.

Event date

Wednesday 1 March 2023
19h00 - 20h30